A Little Before Twelve

by Cynthia Andrews

I saw you today again in my mind
and we made love. You touched my
hand & held it for a very long time,
just as you have always done.  I kissed
your neck and the bristle of your cheek and
you pulled me toward you.  I got out of
the subway a little before noon, still
thinking of you after the long train
ride and surrounded by the smell of roses.
I was your muse, conjured up by your own
mind as a dream filters through a poem like
a goddess of light in a black gauze dress. 
You stroke my hair slowly and softly and make
me giggle and talk poetry long into the morning
hours.  You touch my hand and hold it for a
long time.  I kiss your neck & the bristle of
your cheek.  Your hand suddenly dips into
my blouse and I slap it hard, but you make me
laugh so much that it really doesn’t matter. 
One of my buttons drops to the floor and I
hear it click but I really don’t care what’s happening
around me, except for how good your skin feels
on me.  I feel your wet lips on mine and can taste
the beer you had a moment ago.  I saw you again
today in my mind and we made love again.

Cynthia Andrews is a veteran of the New York City poetry circuit, and has read in such venues as The St. Marks Poetry Project, Mid-Manhattan Library, The Nuyorican Poets Café and the Cornelia Street Café; as well as the radio programs, Teachers and Writers in the Morning, WBAI FM and Cable TV. Her work as appeared in Downtown Magazine, The Voice Literary Supplement, Tribes Literary Journal, Longshot, etc.; as well as the anthologies ALOUD: Voices from the Nuyorican Café, In Heat, The Unbearables, Will Fight for Peace, etc.  She was one of the first to be included in the Spoken Word library of Poets House. Nominated for the Pushcart Prize in 1995 and 1996, she was also recognized by Downtown Magazine for the Downtown Year of the Poet Award in 1996. She holds an MFA in Creative Writing and resides in New York City. Arabella Luna Friedland is a visual artist and writer based in New York City. She’s influenced by a childhood with cartoons, a classical education in anatomy and life drawing, and a firm belief that all art — is a portrait.   

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